Scribbles and Antennoids Devices
Device for obtaining Solar energy on the planet Antennoid, 2014
Forest laboratory information exchange on the Planet Antenoid, 2012
Device for the thought transmission over long distances 2014
Defender of butterflies rights on the planet Antennoid, 2008
Blue plasterwork (100x70 Oil on canvas 2008)
Devices to communicate with plants on the Planet Antennoid, 2013
Mega storage of cosmic sounds on the Planet Antennoid, 2013
animals dialects Translator on the planet
Antennoid, 2013
Lips tr. 2014
Phangan 04
Plook 01
2 maple seeds
Plook 02
Plook 03
Phone-D_12
Phone-D_14
Phone-D_06 Blue
Birds
Chilly 03
Phone-D_03
Lizard
Light Sculpturing
model: Irina Venskaya, L-03, 2014
model: Irina Venskaya, L-04, 2014
model: Irina Venskaya, L-01, 2014
model: Irina Venskaya, L-06, 2014
model: Irina Venskaya, L-05, 2014
Projection 27
Projection 56
Projection 62
Projection 08 , Red dot
Projection 16
Projection 06
Projection 67
Projection 43
Squareroot5 Dresses
Drawing
Unwritten Story (Chunia) illustration 2005
Unwritten Story (Chunia) illustration 2005
Unwritten Story (Chunia) illustration 2005
"Fly lessons" illustration 2005
"Fly lessons" illustration 2005
"Fly lessons" illustration 2005
"Fly lessons" illustration 2005
Lukomorie illustration (fragment) 2005
Lukomorie illustration (fragment) 2005
Lukomorie illustration (fragment) 2005
unknown 01
unknown 02
unknown 03
unknown 04
unknown 05
unknown 06
unknown 07
unknown 08
Rhino design 1998
rhino
horse
sketch
sketch
Diana sketch
sketch sunflowers
sketch sunflowers
Flower
Ayuna, Berlin 2014
Olga, Moscow, April 2014
Galina fast portret, Berlin 2014
Elena fast portret, Moscow 2014
Sofi, fast portret, Tel Aviv, 2006
Tatiana, Tel Aviv, 2007
Oksana, Tel Aviv, 2008
Sketch jam, Oberholz cafe, Berlin 2013
Stas, Sketch jam, Oberholz cafe, Berlin 2014
Sveta, fast portrait Berlin 2014
Lena, Tel-Aviv 2007
Mari, Moscow 2013
Vovan, Tel Aviv 2005
Illustration for poster
Scribbles sketch book
Koroli 01
in Studio
Taravao 01 2005
Ak
skier Taravao 2005
Girll, snake and angel (Ak-2007)
Shapsug 02, 2012
Shapsug 02 sketch 2012
Dress (Shapsug 01)
Tokyo-Hands roof meeting with Aric 2013
Fish 2005
Leaf
Phone speaking page 01
Phone speaking page 2
Hand and buttons
Phone speaking page 03
Phone speaking page 04
Phangan 04
Phangan 01, 2011
Phangan 02, 2012
Princess
Bird
Tokyo 02, 2013
Paint
Shoes (oil on canvas 50x40) 2007
self portrait 2007
sunflowers (oil on canvas 50x60) 2004
camomile (oil on canvas 60x45) 1993
sunflowers (oil on canvas 40x50) 1994
Nadegda, 2013 Tel Aviv
Shoes (oil on canvas 50x40) 1994
Elena, 2007
Mari Z
etud Riazan (oil carton 15x20) 1991
etud Riazan (oil carton 15x20) 1992
etud Riazan (oil carton 15x20) 1992
etud Michailovka(oil carton 15x20) 1992
etud Riazan (oil carton 15x20) 1991
etud Riazan (oil carton 15x20) 1992
etud Riazan (oil carton 15x20) 1993
sunflowers (oil on canvas 40x50) 2008
aster(oil on canvas 50x60) 2012
Taiti 2007, watercolor
sunflowers (oil on canvas 40x50) 2013
Ayuna, Berlin 2014
雨 2015 (100x100 acrilic on canvas)
Identify Logo
oustinov logo
Volov Fashion
Namaste
Flying Star
Swan
Publishing v.01
Publishing v.02
Spiral
sprout
Interior design
Leaf
Page #14 process
Page #13 process
Page #3 process
Page #4 process
Page #12 process
Page #10 process
Page #2 process
Design
Head
Cow model for movie "13 ASSASSINS"(remake) "十三人の刺客" ,OLM Digital Ltd.,Tokyo, Japan,2010
1996 , toys design
1996 , toy design
1996 , toy design
character
1998 Head modeling, lipsing
Head
Design CD pack for rock-group "Grassmeister"
Design CD pack for rock-group "Grassmeister"
Design CD pack for rock-group "Grassmeister"
5 copybook covers set design 2014
Drawing album cover design 2014
Drawing album cover design 2014
Drawing album cover design 2014
Theory
There used to be a time of no photography. In order to present any visual information a human needed certain skills to document reality. The highest level of representation was exact copying of reality. Maximum similarity was seen as a maximum of truth.I believe, people defined true masters by their ability to make exact copies.
But this levelled down the personality of the artist to a minimum, using the artist as a copying machine. Thus, a human artist began experimenting, sieving reality through the various filters of a human brain and soul.
Styles flourished. After the revolutionary invention of a camera, the need for exact copying finally became obscure. Camera's abilities surpassed human.
From then onward, the experiments with the transformation of visual representation became more and more daring. Yet, till a certain point in time, the feedback between reality and mind still mattered. However, 10 humans can look at the same object and each see a different one. Each one of us has a unique apparatus of perception.
My question is, what if we cut off the feedback, what if the artist stopped looking out onto this world, and put out what originated purely in the mind, with as minimum connection to reality as possible.
What if the frame of reality was thrown away and the mind, finally liberated from the outside, would speak openly and directly, with no mediums. The truth is, the only thing we can really show, is the sacred content of our inside. There can be no lies within.
Without any distraction from the outside world, ONCE cut-off, when we close our eyes, our reactions turn from mere reflections of reality to the very source that creates it.
At this moment sometimes something that has never existed before may be born. Something other than reflection, something from outside of this world, something from within.
Random High Resolution Show
Random High Resolution Show
In Studio